Friday, 30 October 2020

Critique: The Name of the Wind (Kingkiller Chronicles) (Patrick Rothfuss) 3/3


*****SPOILERS*****

 

Denna 

Denna is Kvothe’s love interest. He’s overly smitten in my opinion but never mind. It’s certainly obsessive and bordering creepy.

            Everyone seems to know her by different names (Dinnah, Dyanae, Dianne etc) and no one seems to know much about her. She never stays anywhere for long and disappears without saying anything. (At one point Denna’s concerned Kvothe will do this to her. The irony!)

Attachments are difficult for Denna so it’s nice to see her fondness for Kvothe. She even mentions her secretive patron-to-be ‘Master Ash’, whose real name she guards as strongly as her own. When Denna’s in her delirium, she’s really sweet as she opens up to Kvothe.

The second time Kvothe and Denna see each other is at the Eolian, a bar where the best musicians play. (Kvothe wins his ‘pipes’ on his first try, making him one of the best.) Denna doesn’t say his name (he thinks she forgot him) and she calls herself a different name (he wonders if it’s a different person). But if either of the bracketed were true, Denna wouldn’t have run up to Kvothe in the way she did.

Denna compares Kvothe to willow, bending to the wind’s desires. That made me laugh because he wants to learn the name of the wind to bend it to his desires. Also, he wants to be a namer but adores Denna who doesn’t have ‘a’ name.

When a draccus comes near them, Kvothe says they’re fine because draccus are herbivores, like a giant cow. (He learnt this from the Chronicler’s book, incidentally.) When it breathes fire again, Denna says, “Moo” and I couldn’t stop laughing.

 

Kvothe hears of a destroyed wedding and connects the details with the Chandrian warning signs. So he goes gallivanting off and meets an injured Denna, the wedding’s musician and only survivor.

            Denna tells Kvothe that Master Ash took her aside and told her to come back later. When she does, there’s burning, screaming and blue fires. The house, we’re told, was expensive, so the wood had rotted, and the iron rusted, faster than natural. These are all warning signs of the Chandrian.

            Kvothe mentions Denna’s pale skin. Not, the Chandrian song mentions ‘a woman pale as snow’. Denna also appears at key moments and we know the Chandrian can teleport. So maybe Denna is a Chandrian? Perhaps Master Ash is one too: Kvothe’s focal Chandrian Cinder, and what’s left after something’s in cinders? Ash. So there are curiosities.

 

 

Problems

It’s a big book. Thankfully there aren’t any big problems but it size does mean there are plenty of opportunities for little mistakes. (Although I’ve read books a quarter the size with ten times the mistakes so proportionally, this book’s doing rather well.)

Kvothe says not many people have accents anymore. *Sigh*. As it’s in first person, I’ll let this slip due to character ignorance.

Kvothe ‘admitted’ one thing and the very next time he speaks, he ‘admitted’ that, too. Some variety (especially among neighbours) would be nice! Even something like ‘admitted again’ would suffice.

‘Bastas, son of Remmen, Prince of Twilight and the Telwyn Mael’. Which one is the prince? The sentence structure is too ambiguous to provide an answer. The sentence structure also implies that only one of them is the prince.

In middle of Kote’s perspective, there’s one paragraph in Bast’s perspective. It’s not separated from Kote’s perspective in any way.

When Fela calls for help, Kvothe says this means no one else knows she’s in danger. Um… yeah. That’s the point of calling for help: so people come over and help. But this was written as one of Kvothe’s bright, unexpected revelations.

 

We get some good, old-fashioned grammatical mistakes.

            For example, ‘I gave a hesitant nod, trick questions were fairly common.’ It’s an incomplete sentence, missing a conjunction (or perhaps replacing the comma with a semi-colon).

            ‘Have you heard the expression white muting?’ There should be quotation marks around ‘white muting’ because it’s a phrase in referral to something outside the conversation.

First, Kvothe’s parents loved each other so they saw no point marrying for ‘any government and God’. Now, the latter should be a miniscule because ‘any… God’ is weird (unless every God’s proper noun is ‘God’). Or if they did just mean one God, it should have been ‘God or any government’.

 

Abenthy pours his beer into the floor then straight away refills it. Him emptying his mug didn’t demonstrate his point. Sometimes people pour their drink on the floor if they’ve had enough, but if he’d had enough then he wouldn’t have refilled it straight away. It could be a quirk of his personality but in that case we should have seen it more than once, just so that it’s peculiar yet established.

 

Wearing just his towel, Kvothe wanders into a clothes shop. A whore, he says, will only give back his stolen clothes in exchange for his purse. But handing over his purse would be handing over his dignity. He trails off and supposes a gentleman’s dignity is in his purse. Um… yes? What else could that have meant? When he recalls his father said something similar, it made the tailor laugh. (I still don’t know what the joke is but never mind.)

 

Conclusio

This is among the most cleverly written novels I’ve read. All the characters were fleshed out and the plot was consistently engaging. I’ve reread it (and the sequel) many times and it doesn’t bore me.

            One character that didn’t get a say in the other sections was Schiem the Swineheard. He was brilliant. (Apart from his prejudice towards the Edema Ruh. It’s a common prejudice but no less ugly for it.) His accent was Irish-y, particularly with the ‘I’s, but was more a jumble of various accents stitched together. Yet the accent was consistent: people struggle to write real accents consistently so to create one and keep it consistent is really impressive.

            Kvothe says, and more often shows, that he’s not beyond lying or exaggeration. We also know he makes contradicting rumours to keep people confused and guessing. Seeing he’s now in hiding to protect himself, is he likely to provide an honest account? (If it’s all fake, he’s definitely an amazing story teller.)

Knowing the names of every star and their stories, for example, but no one has a long enough life or big enough memory to achieve this because there are literally millions of stars. Did he really kill angels and speak to gods? So we must take everything in this story with a bucket of salt.

It makes you curious to find out the other truths he’ll reveal and lies he’ll make in the second book.

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