Friday, 30 October 2020

Critique: The Name of the Wind (Kingkiller Chronicles) (Patrick Rothfuss) 3/3


*****SPOILERS*****

 

Denna 

Denna is Kvothe’s love interest. He’s overly smitten in my opinion but never mind. It’s certainly obsessive and bordering creepy.

            Everyone seems to know her by different names (Dinnah, Dyanae, Dianne etc) and no one seems to know much about her. She never stays anywhere for long and disappears without saying anything. (At one point Denna’s concerned Kvothe will do this to her. The irony!)

Attachments are difficult for Denna so it’s nice to see her fondness for Kvothe. She even mentions her secretive patron-to-be ‘Master Ash’, whose real name she guards as strongly as her own. When Denna’s in her delirium, she’s really sweet as she opens up to Kvothe.

The second time Kvothe and Denna see each other is at the Eolian, a bar where the best musicians play. (Kvothe wins his ‘pipes’ on his first try, making him one of the best.) Denna doesn’t say his name (he thinks she forgot him) and she calls herself a different name (he wonders if it’s a different person). But if either of the bracketed were true, Denna wouldn’t have run up to Kvothe in the way she did.

Denna compares Kvothe to willow, bending to the wind’s desires. That made me laugh because he wants to learn the name of the wind to bend it to his desires. Also, he wants to be a namer but adores Denna who doesn’t have ‘a’ name.

When a draccus comes near them, Kvothe says they’re fine because draccus are herbivores, like a giant cow. (He learnt this from the Chronicler’s book, incidentally.) When it breathes fire again, Denna says, “Moo” and I couldn’t stop laughing.

 

Kvothe hears of a destroyed wedding and connects the details with the Chandrian warning signs. So he goes gallivanting off and meets an injured Denna, the wedding’s musician and only survivor.

            Denna tells Kvothe that Master Ash took her aside and told her to come back later. When she does, there’s burning, screaming and blue fires. The house, we’re told, was expensive, so the wood had rotted, and the iron rusted, faster than natural. These are all warning signs of the Chandrian.

            Kvothe mentions Denna’s pale skin. Not, the Chandrian song mentions ‘a woman pale as snow’. Denna also appears at key moments and we know the Chandrian can teleport. So maybe Denna is a Chandrian? Perhaps Master Ash is one too: Kvothe’s focal Chandrian Cinder, and what’s left after something’s in cinders? Ash. So there are curiosities.

 

 

Problems

It’s a big book. Thankfully there aren’t any big problems but it size does mean there are plenty of opportunities for little mistakes. (Although I’ve read books a quarter the size with ten times the mistakes so proportionally, this book’s doing rather well.)

Kvothe says not many people have accents anymore. *Sigh*. As it’s in first person, I’ll let this slip due to character ignorance.

Kvothe ‘admitted’ one thing and the very next time he speaks, he ‘admitted’ that, too. Some variety (especially among neighbours) would be nice! Even something like ‘admitted again’ would suffice.

‘Bastas, son of Remmen, Prince of Twilight and the Telwyn Mael’. Which one is the prince? The sentence structure is too ambiguous to provide an answer. The sentence structure also implies that only one of them is the prince.

In middle of Kote’s perspective, there’s one paragraph in Bast’s perspective. It’s not separated from Kote’s perspective in any way.

When Fela calls for help, Kvothe says this means no one else knows she’s in danger. Um… yeah. That’s the point of calling for help: so people come over and help. But this was written as one of Kvothe’s bright, unexpected revelations.

 

We get some good, old-fashioned grammatical mistakes.

            For example, ‘I gave a hesitant nod, trick questions were fairly common.’ It’s an incomplete sentence, missing a conjunction (or perhaps replacing the comma with a semi-colon).

            ‘Have you heard the expression white muting?’ There should be quotation marks around ‘white muting’ because it’s a phrase in referral to something outside the conversation.

First, Kvothe’s parents loved each other so they saw no point marrying for ‘any government and God’. Now, the latter should be a miniscule because ‘any… God’ is weird (unless every God’s proper noun is ‘God’). Or if they did just mean one God, it should have been ‘God or any government’.

 

Abenthy pours his beer into the floor then straight away refills it. Him emptying his mug didn’t demonstrate his point. Sometimes people pour their drink on the floor if they’ve had enough, but if he’d had enough then he wouldn’t have refilled it straight away. It could be a quirk of his personality but in that case we should have seen it more than once, just so that it’s peculiar yet established.

 

Wearing just his towel, Kvothe wanders into a clothes shop. A whore, he says, will only give back his stolen clothes in exchange for his purse. But handing over his purse would be handing over his dignity. He trails off and supposes a gentleman’s dignity is in his purse. Um… yes? What else could that have meant? When he recalls his father said something similar, it made the tailor laugh. (I still don’t know what the joke is but never mind.)

 

Conclusio

This is among the most cleverly written novels I’ve read. All the characters were fleshed out and the plot was consistently engaging. I’ve reread it (and the sequel) many times and it doesn’t bore me.

            One character that didn’t get a say in the other sections was Schiem the Swineheard. He was brilliant. (Apart from his prejudice towards the Edema Ruh. It’s a common prejudice but no less ugly for it.) His accent was Irish-y, particularly with the ‘I’s, but was more a jumble of various accents stitched together. Yet the accent was consistent: people struggle to write real accents consistently so to create one and keep it consistent is really impressive.

            Kvothe says, and more often shows, that he’s not beyond lying or exaggeration. We also know he makes contradicting rumours to keep people confused and guessing. Seeing he’s now in hiding to protect himself, is he likely to provide an honest account? (If it’s all fake, he’s definitely an amazing story teller.)

Knowing the names of every star and their stories, for example, but no one has a long enough life or big enough memory to achieve this because there are literally millions of stars. Did he really kill angels and speak to gods? So we must take everything in this story with a bucket of salt.

It makes you curious to find out the other truths he’ll reveal and lies he’ll make in the second book.

Friday, 23 October 2020

Critique: The Name of the Wind (Kingkiller Chronicles) (Patrick Rothfuss) 2/3

 

*****SPOILERS*****

Edema Ruh

When Kote tells his story (of Kvothe), it’s in first person. This makes sense: he is telling the Chronicler his own story. Occasionally we get Interludes back at the Inn where it changes back to third person. He remains ‘Kvothe’ in the prose until he has to become the innkeeper again, when the prose returns him to ‘Kote’. This was a good feature and it helps to delineate the Kote of the present with the talented Kvothe of the past.

 

Kote is of the Edema Ruh.

These are travelling court performers with a noble patron. They have many traditions that separate them from other people. The way they offer food/drink to new guests is particularly distinctive. They all take a day off whenever they encounter a greystone/weystone (standing stones, said to lead to the Fae). This last one stood out because it’s not expected for travellers to stay put.

At one town, the mayor will pay them to leave. Kvothe lists the things the mayor should’ve done! (Spoilt, much?) Yes the mayor was disrespectful but Kvothe’s idea of respect is a bit… bratty? There’s definitely an element in this but his troupe is dead. Is it unsurprising that his opinion of them is a little higher and other people’s opinion of them isn’t as high as it should be?

Kvothe makes Abenthy join the troupe after seeing him control the wind (‘storybook magic’). My favourite description of him is that his singing kept ‘wondering off, looking for notes in the wrong places’ which is also the best description of bad singing I’ve ever seen. Abenthy teaches the young Kvothe Alar and sympathy, the keys to magic.

 

Kote mentions that he’s of the Edema Ruh a lot and we get loads of tidbits. But I still have plenty of questions!

The book gave the strong vibe that the Ruh are an ethnic group. Yet later at the University, Kvothe meets a Caeldian (who are of different ethnicity to everyone else) who knows Kvothe is Ruh and says ‘one family’. So this implies that the Edema Ruh isn’t a race? Although we get many examples of Ruh adopting other people into their families so perhaps ethnicity isn’t the defining factor of being Ruh.

The Ruh often clear the road of trees. Kvothe’s dad states that he should charge the consular for every tree they remove. A consulate is a diplomatic delegation either to significant areas in a foreign country (other than the capital with the embassy) or to represent a significant areas in the home country to a foreign country. The patron of Kvothe’s troupe is only a baron: for the lowest noble rank to have a consulate seems odd.

 

University

After his parents died, Kvothe spent half a year in the wilderness then as a beggar in Tarbean. He travels to the University (he’s accepted as a student at 15) with a woman called Denna (he fancies her a lot).

He’s accepted aged fifteen to the University. To be admitted into the Arcanum, where magic is taught, he must show the Masters evidence of sympathy. He has access to the Archives at long last to do his research on the Chandrian.

Elodin, the Master Namer, is full of eccentricities and humour. Naming is ‘storybook magic’ and often drives people mad (he spent time in an asylum). Kvothe begs to be his student so Elodin asks Kvothe to jump off the roof. When Kvothe does so, Elodin says Kvothe’s too stupid to be his student. That made me laugh for ages.

 

Kvothe interacts with a student for a page and a bit and only then in the prose does he name him as Ambrose. In all other introductions, we learn the names by people’s speech or Kvothe giving context in the prose as soon as the new character is mentioned. So for Kvothe to wait for Ambrose and Ambrose alone was odd.

            The next time Kvothe sees Ambrose is when he’s accosting Fela. Kvothe, who’s only fifteen, makes perspective comments about how body language can pin you down and yet it’s the victim (Fela) who feels guilty, not the perpetrator (Ambrose). Kvothe rants about Ambrose’s poetry (honestly I could directly quote the entire passage. It was golden perfection).

Ambrose gets Kvothe banned from the Archives and their rivalry begins (it’s why Kvothe came to the University, after all). There’s sabotage and humiliation on both sides but Ambrose breaking Kvothe’s lute makes it truly personal. The scene of Kvothe with his broken lute was so painful. I’ve never felt a character’s sorrow so vividly before.

 

The Master that we see the most is Hemme. What a prat!

Master Hemme is rude to everyone except Rian, the only woman in the class. Until, that is, he tells her to close her legs then says, ‘“Now the gates of Hell are shut”’. It’s a funny line but it solidifies Hemme as a resounding git.

Hemme tries to embarrass Kvothe into giving a lecture about sympathy. Kvothe does so and humiliates Hemme with a fiery demonstration. Sure, Kvothe gets whipped but he uses this as evidence of sympathy, meaning he’s admitted into the Arcanum. His friend Simmon congratulates him by offering to buy a bandage or a beer. (Simmon will make anyone laugh.)

For his broken lute, Kvothe charges Ambrose with theft and destruction of property. Master Hemme says that theft implies possession and people can’t possess something that’s been destroyed. This is stupid because (1) theft is the act of taking, not the state of ownership, (2) the pieces can be possessed, and (3) Hemme’s argument would mean we could never destroy our own property. All this went through my head, and then the book spelled out 1 and 2. It was nice to see the stupidity was Hemme’s, not the author’s!

 

Friday, 16 October 2020

Critique: The Name of the Wind (Kingkiller Chronicles) (Patrick Rothfuss) 1/3


***SPOILERS***

 

The Prologue was a work of art. It’s nice to see a clever idea that’s cleverly done. It talks of three silences within the Waystone Inn. The first is because the tavern lacks its usual noise. The second is because the people inside choose not to talk, choose to be silent. The third was in the regular actions of the bar keep (so he made that silence). The silences are the ‘sound of the man waiting to die.’ One pay in and it’s already dark and macabre.

 

The Inn

Innkeeper Kote lives in Newarre, a village in the Commonwealth. The most frequent measurement in a ‘span’, equal to eleven days.

 

The younger patrons listen to Old Cob’s story (never his advice) and the reader gets background info on the world. Tehlu founded the main religion. Taborin the Great is an oft-mentioned hero. Aleph created the world and named everything; Aleph, of course, being like ‘alpha’, i.e. the first. But perhaps the most relevant lore is that of the Chandrian, evil individuals that come with warning signs like rotting wood and blue fire. One nice description is that they’re ‘yoked to shadows’.

 

Carter carries a scrael, a giant spider, into the inn. The shape, colour and textures of the scrael are described so well. Texture’s often missed out in descriptions so it’s good to see it done, let alone done well. Carter opens the blanket on purpose and yet it still makes him recall. His response of surprise and/or shock seems unwarranted. When Kote lists all the ways a scrael can be killed, someone mentions God which Kote agrees to in a begrudging manner.

 

Kote’s student is Bast, a cloven-hooved fae who calls his master ‘Reshi’ and is infused with confidence and a ‘casual grace’. Like in folklore, iron hurts the fae, so much so that he complains how primitive ‘you people are’ for using iron needles.

Kote asks Bast to listen three times and Bast confirms he has three times. Is this to go with the three silences?

Kote keeps on persuading Bast to study and the pupil does pick up a big book. To crush a walnut, to be sure, but at least he picked it up. That was great.

Even after an hour of mopping, the water’s clean. We know Kote can’t use magic so this must be Bast.

Kote is bored with life. His magic and music are dead. He thinks the war is his fault. Bast is searching for someone to make Kote feel and live again.

Bast tells Kote for sneaking off and only leaving a note. ‘What am I, some dockside whore?’ Bearing in mind Bast is the apprentice, how can Kote be the one to sneak out? This just shows Bast’s fondness for Kote, like how Bast brushes Kote’s hair like a mother would. (Although when a note reads ‘I am probably dead’, anger’s to be expected. I wasn’t expecting anything like that in the note so it surprised a laugh out of me.)

 

We’re introduced to the Chronicler.

He knows who Kote really is: Kvothe. This scares the innkeeper, going so far as to ‘commit the room to memory’, because he has a bounty on his head. To be expected when you’re the ‘Kingkiller’, I suppose.

The Chronicler wants Kote’s life story. Although he agrees to tell it, Kote threatens to not let the Chronicler go after knowing what he knows. The threat made the Chronicler change his plans to suit Kote’s wants, even though the substance of the threat was non-existent.

The Chronicler can transcribe any language thanks to his cipher which represents sounds, not letters. Different languages can have different sounds to each other so I hope he researched foreign languages!

Kote learns from the Chronicler that some people think Kvothe is the new Chandrian. This deeply unnerves Kote. It’s unsurprising, considering he didn’t hide his obsession with the Chandrian from anyone.

 

 

Lore

The Chandrian are the driving force of the narrative. Kvothe wants to research them and decides the University’s Archives will be most useful.

In his youth, Kvothe returns to camp and finds the troupe slaughtered. All the warning signs of the Chandrian are present, as are the beings themselves. The one that grabs his focus most (now and in the future) is Cinder. (Nice: fiery name for fiery monsters.)

Haliax states that he keeps his fellow Chandrian safe from the Amyr, the Sithe and the singers. We know about the first two but the last’s not spoken of again. The Chandrian did kill the troupe because Kvothe’s father was composing a song about the Chandrian so maybe that’s something to do with it? I’m looking forward to this being revealed.

 

The key to sympathy/magic is ‘Alar’, willing something to happen.

For example, a sympathetic link can be established between two coins, and lifting one lifts the other. The more similar two items are, the stronger their link so the easier it is to influence each other. (Kvothe says this is a circular argument, but it’s not. I can’t think for the life of me why he thinks it is.)

Links aren’t perfect so energy is lost (lifting the two coins feels like lifting three). The weaker the link, the more energy is required. So the lore expands the concept of sympathy magic in real-world folklore yet expands it to fit in with the rules of physics.

 

Kvothe met Skarpi in Tarbean. The old man told a story where Lanre, a hero in the Tehlan religion, became the first Chandrian Haliax. Tehlan priests arrest Skarpi for heresy but he states he has friends in the church. (No doubt this will be an important detail to remember.)

The story foreshadowed Lanre’s fate: he kills a beast with ‘breath of darkness’ and wore its scales that felt like ‘a skin of shadows’ (perfect foreshadowing as this matches the Chandrain). Lanre died so his lover Lyra brought him back to life. When Lyra died, Lanre couldn’t bring her back to life (even after making ‘a terrible trade’). Lanre committed suicide but Lyra’s magic brought Lanre back to life.

The story also paints Amyr as people, including Tehlu, turned into beings with fiery wings by Aleph. Officially, the Amyr were church knights that disappeared when the Aturan Empire collapsed three hundred years ago.

This threw me at first because the Aturan Empire is still in the map and when a country’s described as collapsed, it means it stops existing. But here the author uses ‘collapse’ as in the empire collapsed in size. As if it could no longer support its own weight. This was truly clever.