Friday, 9 June 2023

Critique: The Furthest Shore (Earthsea Quartet #3) (Ursula Le Guin)

In this story, Sparrowhawk has become the Archmage of Roke. There are tales of magic going wrong and Prince Arren is sent by his father to Roke to discover more.

 

*****SPOILERS*****

 

Three aspects of this story were potent.

Sparrowhawk says a rowan tree can’t bear a crown (the leaves/branches) if it has shallow roots. Arren’s true name Lebannen means ‘Rowan’. So is Sparrowhawk taking Arren on the journey so that his roots are no longer shallow and thus he can bear a crown?

The pair spend time with the raft people who live their whole lives on the ocean sea. Seeing this culture was fascinating. They tie their babies to posts which is such a cute image.

They come across Cob who creates a portal into the Dry Land, the place of the dead. Dead people ‘were healed of pain, and of life.’ This line hit me hard.

 

Throughout, we see how the negative effects on wizardry are coupled with negative thought patterns, both people being in dark places and coming to incorrect conclusions.

A wizard lost his power by trading it for something else, saying he doesn’t need names where he’s going. An old lady said ‘wizard stuff’ keeps people from life which is why she lost it, words and names.

Without death, there is no renewal which is affecting the Balance. Magic is meant to uphold the Balance so it’s reasonable that, if the Balance is out of sorts, so would magic.

Roke’s students of wizardry have started to doubt wizardry because they think if wizards had power, they’d live forever. Seeing as wizards are taught about the Balance, this shows how bad the negative feelings spreading across the archipelago are becoming.

Dragons have lost the Old Speech. Considering Sparrowhawk once described dragons are the Old Speech itself, being its living form, this is quite serious.

Arren decides magic is just trickery because there’s no mastery over death. This logic doesn’t follow. At no point is magic been considered to be so. Magic is about Balance, and no death means no Balance.

 

There were more grammar and formatting mistakes in this book than the other three.

‘So if I am needed, therefore I am here.’ This is a very odd sentence. One can pass odd sentence structures off as part of the individual’s speech pattern if it’s a regular occurrence. In this case, it’s not.

Regularly, different speakers are put in the same paragraph. This creates unnecessary confusion.

Sparrowhawk says, ‘I prefer to save talking till I know what I’m talking about.’ As with a previous Earthsea critiques, this should be ‘until’ or ‘’til’.

There’s a lack of speech marks to denote the start of speech when ‘he whispered, I found the hole… It burned!”’

One paragraph was from Sparrowhawkw’s perspective and the next one was from perspectives on the far-away Roke. If there had been an empty line between the paragraphs, that would have been fine. But to switch the perspective with just an indent, especially when the perspectives aren’t within the same area (and hence not perceiving the same stimuli), isn’t enough of a distinction.

‘He has done with doing.’ A better choice would’ve been ‘was’ because the sentence in its current form is weird. The only suitable way to have ‘has’ in this sentence whilst retaining its meaning would be something like, ‘He has finished doing.’

 

The characters often display faulty thought processes, proving a distraction from the plot.

People are said to be uncaring about the world. This is described as denying death so people are acting like they will live forever. But this explanation doesn’t match the behaviour. Why would someone value the world less if they’re immortal? Wouldn’t they value it more because they’d be spending much more time there?

The Masters of Roke think that the archipelago not having one king is the thing from which the problems stem. There are two reasons why this is not so. One: the magical problems are magical in nature so the source must be magical in nature, too. Two: the assumption that a lack of a single authority would cause any societal problems is without justification. In fact, throughout history, bigger kingdoms and empires are more difficult to control so everyone being under a single rule would most likely make things worse. So the Masters reaching their conclusion falls flat.

Sparrowhawk rescues Arren from slavers. Arren asks why Sparrowhawk didn’t free the other slaves, who replies that he didn’t want to make their choices for them. Um, they’re slaves, so they don’t have a choice. Also, he made Arren’s ‘choice’, so why not make the ‘choice’ for the others?

 

Two things were blaringly obvious as false when comparing them with the earlier books.

Arren is shocked that someone with the low status of a goatherd could gain the high status of an archmage. This observation is fine. Yet Sparrowhawk has spent most of his life as a mage and, in his time before learning magic, he spent most of his time helping his dad as a smith. The status is still low so the point of the observation remains intact, even if the information of the observation is incorrect.

Sparrowhawk is described as short in this book yet in the first book as tall. Either this is an inconsistency or Arren is taller than Sparrowhawk. But if it were necessary to note how tall Sparrowhawk was, surely it would be necessary to note characters that were even taller?

 

Several things just didn’t make sense.

The pair spend a whole day swimming in the sea. Breaks are fine, but a whole day? That seems a waste, especially when the whole world is falling apart. If Sparrowhawk is trying to fix the Balance, why would he waste time?

When Sparrowhawk punished Cob all those years ago, it drove Cob to find a spell for immortality, to get back from death. (These aren’t the same things!) As a consequence, life is being drawn to Cob in the land of the dead. He needed to give up his name and identity for it to work. (If you no longer have an identity, you’re not immortal because you don’t exist anymore. Surely that’s worse than death?)

Back in the world of the living, Arren is naked bar ‘his sword-belt and sword’. The author tries to explain this by saying he was as naked as he was the day he was born, which is nice symbolism. But if his clothes were lost then his sword stuff should’ve been, too. Why this happened I can’t fathom but it’s a funny image nonetheless.

 

Arren’s father is termed ‘Ruling Prince’. There’s nothing wrong with this per se but four options (Sovereign Prince, Archprince, Grand Prince and Great Prince) already exist to describe a prince that rules as the highest authority in their country. There’s no reason to crowd this with another synonym unless it adds something (which ‘Ruling’ doesn’t).

 

This is the worst book of the quartet. If not for the raft people, I would have forgotten the story existed at all. There were too many problems to ignore. The fact that Sparrowhawk and Cob’s final showdown wasn’t that impressive was utterly disappointing Especially, I must say, as the book’s slow, meandering pace should have finished with a bang, just to give it a little bit of life.

No comments:

Post a Comment