Andi,
leader of the Immortals, hasn’t told her time that she has lost her own immortality.
Andi meets Quynh, an old friend who had been trapped in an iron box at the
bottom of the ocean. The betrayal Quynh feels drives the plot.
******SPOILERS******
Fights
The
fight choreography was just as great as the first film. Each sequence was
unique, too, having a completely different feel each time.
Andi
and Quynh fight in the narrow gap between a wall and a parked truck.
It
was amazing: the choreographer planned it so that the fighters took up, and
used, the entire space. Despite the small, restrictive dimensions, it was fully
dynamic. Most fights only happen at width and depth yet this one took advantage
of height, too.
Andi
flips Quynh. Instead of falling on the ground, Quynh continues the 360 degrees
of the spin, planting her foot higher up the truck before rotating the rest of her
body to be head up. By this point, she’s effectively perched above Andi.
There’s
a certain pose that assassins and thieves take when they’re against the ceiling.
The one with their arms and legs spread to either side to brace against the
walls, lying horizontally flat. Quynh takes this pose above Andi.
In
the mansion, a lot of clever things happen.
Andi
sweeps her leg out, unbalancing the baddie. As she swivels, she points her
sword backwards so that it stabs the baddie.
Andi
stabs someone then kicks the glass table towards him. The guy loses his balance
and smashes through the glass; the stand is around the edge of the table, not
the centre, meaning the guy is stuck in a small circle that’s folded him in
half.
The
guys also have good fight scenes.
An
Immortal pins down a knife-wielder to the floor. The Immortal moves the
stabber’s hand so the stabber stabs himself in the head.
Nicolo
points his sword at an enemy. From behind this enemy, Yusuf kicks the enemy
forward, stabbing them all the way to the hilt.
Humour
Nicolo
and Yusuf acted as the comic relief.
One
Immortal has his thumb cut off. He balances it on the stump then uses this to
do a thumbs up.
Nicolo
is hanging onto the outside of the car as it races along. It’s only later that
we see that foot has snapped/broke, now bouncing around as they zoom along the
road. It was so grim but so funny.
Nicolo
and Yusuf decide to steal the cars, driving away to draw the guards out of the
mansion. You’d think they’d get in cars and get away as soon as they can. But no:
instead they fight over who steals the sexiest car. Such a realistic detail.
Positives
Several
good decisions were made in all things Andi.
In
the first scene, there are quite a few references to Andi having lost her
immortality. As it’s been five years since the previous film, it was useful to
have this detail firmly established in the mind of the audience, considering
it’s an important plot point.
Andi
brings Tuah to meet everyone: she’s kept this Immortal hidden from the others.
Nicolo says, “A lie of omission is still a lie.” Yusef looks very
uncomfortable. (Not a surprise, considering Nicolo caught Yusuf seeing the
exiled Booker without telling Nicolo. Another ‘lie’ of omission.)
In
their fight, Quynh takes back the necklace she had given to Andi all those
years ago. The hurt on Andi’s face is so expressive. Imagine, a necklace
reminding you of the friend you’ve lost gets taken by that same friend, ending
the relationship in one swipe.
There’s
a lady, Quynh, in an iron box that was dumped into the sea. There were holes
over her mouth and eyes, meaning seawater had been drowning her for hundreds of
years.
Quynh
is upset that Andi wasn’t also in an iron box. Surely she’d be grateful a loved
one wasn’t suffering in the same way?
Quynh
was also mad that Andi didn’t rescue her. Um, how could she? Quynh knew the
technology at the time couldn’t have saved her, and she had no idea what
technology would be in the future. So how can she be mad at someone for doing
something that, as far as she knew, was impossible?
However,
constantly drowning over and over again for hundreds of years would be torture.
Water boarding is bad enough, so this? Despicable. Of course her thought
patterns had changed! Of course she felt abandoned by Andi, and felt jealous of
Andi’s freedom. Quynh might be an Immortal but she’s still human! She suffers
and thinks and feels in the same way.
Booker
wanting to die didn’t feel believable. It was, however, handled well with
plenty of creativity. (The idea was poor but the execution was perfect.)
Tuah
tells Booker his theory. If the Last Immortal (Nile) stabs another Immortal,
that one loses their immortality. After all, Andi lost her immortality only
when Nile stabbed her. So Booker decides to join Nile’s knife fight, getting
deliberately hurt. He doesn’t heal, proving Tuah’s theory.
Booker
gives his immortality to Andi, saying she has a purpose. Plus, he clearly wants
to protect her; making her Immortal again keeps her safe from harm and death.
(However,
he is focused on his expiration date as a separate issue from this. If this
were removed, leaving it at giving Andi immortality for her safety, everything
would have been more believable.)
After
giving Andi his immortality, Booker locks her behind a door so that he can take
on many guards without her. Considering Andi’s Immortal again, it’s not like
she needs protecting. However, nothing visual indicated that a transfer
happened: maybe Booker wasn’t sure it worked, so he was just focused on her
safety.
(Booker
wanting to give Andi immortality again was believable. But his focus on his
expiration date, as a separate issue from this? That made it seem unbelievable.
But just wanting to protect Andi is reason enough. A simple fix.)
Visuals
There
were three images that impressed me. The first two were simple but the third
was intelligently done.
Tuah
has a library. Its carvings are absolutely gorgeous, rife with detail and
making full use of the three spatial dimensions.
Wearing
her hair in a high bun, Quynh has a tight braid down the back of her skull,
from the bun to her hairline.
Andi
walks through the streets. As she walks, it’s like she’s going back in time,
considering the style of the market and the clothes/hair of the people. As her
memories go back in time, we see her Immortal friends in past situations. It
finishes on a medieval Quynh before returning to the present, a modern Quynh
standing in the exact same position.
Some
visuals weren’t pretty but they were impactful.
The
Immortals are frozen with liquid nitrogen before being put in body bags, having
all the air sucked out to make them vacuum wrapped. That’s something I never
expected to see happen to a person.
The
mansion has gaudy gold and bright blue decorations. It was so hideous. But it
accurately shows how rich people show off their wealth, choosing gaudy tackiness
over beauty.
Queries
about Discord
These
weren’t problems, as such. Rather, a few things were included that didn’t have
enough explanation to make complete sense.
We
see Discord, the very first Immortal, light a candle. Her hand shakes as she
does this. As an Immortal, she should be self-healing, in which case her shakes
should be sorted. So, is she dying? Is she no longer Immortal?
Later,
Discord reveals she indeed is no longer Immortal. How did this happen? We find
out in this film someone loses immortality if they are stabbed by the Last
Immortal. Nile hasn’t stabbed Discord, meaning Discord should still be
Immortal, thus creating a problem.
But,
the reason behind Andi losing her immortality at the end of the first film
wasn’t revealed until this film. Perhaps the next film will reveal another way
Immortals lose their self-healing? It’s a mystery but it’s a mystery that’s likely
to be revealed.
There
was another thing about Discord that made me raise my eyebrows (metaphorically,
of course).
Discord
tells Nile, the Last Immortal, that Andi plays god with humanity. Later, when
Quynh says that she wants ‘everyone to suffer’, Discord says, “That, I can help
you with.”
So…
she’s going to play god with Qyunh after complaining Andi does this? This seems
like an inconsistency.
One
could say it is Discord consistently telling people what they want to hear.
After Quynh later realises Discord played her. This suggests Discord’s words
are to further her own aims, giving credence to the idea that Discord tells
people what they want.
This
was a good sequel. It brought the best parts of the first film (particularly
the choreography) and amplified its quality. Usually, I’m hit-and-miss with
film sequels. Usually, I’m ignoring action films. But this? I’m thoroughly
impressed.